• Flexible codec library to support mixing DV, IMX, SD, and HD media in a single timeline
  • Native Sony XDCAM and Panasonic P2 support
  • 10-bit real-time color correction
  • Avid DNxHD encoding
  • ScriptSync™
  • Real-time Multicam
  • Long GOP splicing
  • Panasonic Varicam off-speed support
  • Support for 24P normal and advanced pulldown capture over IEEE-1394 and SD- SDI/Analog
  • PAL 24P and 25P
  • 4 Channel Audio Punch-In
  • FluidMotion
  • Full Film Composer® toolset
  • Motion Tracking and Stabilization featuring SteadyGlide™
  • 24 video and audio tracks (unlimited video layers via nesting)
  • 24 MetaSync™ tracks
  • 4:3 and 16:9 support
  • Native 10-bit Boris Continuum Complete effects and filters
  • Real-time customizable 3D effects, including Warp, Picture-in-Picture, Corner Pinning, Shapes, Video Titles

High on Adrenaline
June 22, 2007
Persona Films acquires Avid Media Composer Adrenaline with Avid DNxcel, Avid’s top-of-the-line film and video editing solution. The system delivers real-time 10-bit High-Definition editing in virtually any existing HD format.
Abigail Honor working on Persona’s brand new Avid Media Composer Adrenaline HD
Avid Media Composer Adrenaline offers Avid DNxHD encoding, 10-bit real-time color correction, native SONY XDCAM and Panasonic P2 support, 16-bit SpectraMatt Keyer, ScriptSync technology that uses automatic phonetic indexing to associate source clips to the script itself, and an uncountable number of plug-in effects.
Persona Films’ EDIT ONE suite featuring Avid Media Composer Adrenaline with Avid DNxcel

The new Adrenaline system joins Persona’s editorial arsenal: Avid Media Composer Meridien suite and two Apple Final Cut Studio Pro systems.